Special Topics in Calamity Physics
Subjects,Marisha Pessl
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Détails
- Titre: Special Topics in Calamity Physics de Marisha Pessl
- ISBN:
- Nom de fichier: special-topics-in-calamity-physics.pdf
- Date de sortie: 2013-09-12
- Nombre de pages: 523 pages
- éditeur: Marisha Pessl
Moyenne des commentaires client : 5 étoiles sur 5 876 commentaires client
Nom de fichier : special-topics-in-calamity-physics.pdf
La taille du fichier : 21.63 MB
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Special Topics in Calamity Physics Marisha Pessl livre -
Marisha Pessl's Special Topics in Calamity Physics is an unforgettable debut novel that combines the storytelling gifts of Donna Tartt and the suspense of Alfred Hitchcock: a darkly hilarious coming-of-age tale and a richly plotted suspense story, told with dazzling intelligence and wit.
'I wrote this account one year after I'd found Hannah Dead.
I thought I'd managed to erase all traces of that night within myself.
But I was wrong.
Every night when I tried to sleep, I'd close my eyes and see her again, exactly as I found her, hanging from a pine tree by an orange electrical cord, her neck twisted like a tulip stem, her eyes seeing nothing.
Or else that was the problem. They'd seen everything.'
Special Topics in Calamity Physics is a mesmerizing debut. As teenager Blue van Meer tells her story we are hurled into a dizzying world of murder and butterflies, womanizing and wandering, American McCulture, The Western Canon, political radicalism and juvenile crushisms. Structured around a syllabus for a Great Works of Literature class (with hand-drawn Visual Aids), Blue's wickedly funny yet poignant tale reveals how the imagination finds meaning in the most bewildering times, the ways people of all ages strive for connection, and how the darkest of secrets can set us free.
'Beneath the foam of this exuberant debut is a dark, strong drink' Jonathan Franzen, author of, The Corrections
'Any [Donna] Tartt fan disappointed that her second novel had little in common with her debut should rush out and buy this book immediately... It's a brilliant debut, guaranteed to join the ranks of The Secret History and The Virgin Suicides as one of those rare books to become a cult hit and instant classic' Sunday Telegraph
'One of the most impressive debut novels I have ever read ... It stops you doing anything apart from reading it ' Independent on Sunday
'Special Topics in Calamity Physics made me stay up all night reading; in the morning it seemed like one of those parties where everyone is too cool for you but you desperately want to know them anyway . . . I loved this book' Audrey Niffenegger, author of The Time Traveler's Wife
Marisha Pessl was born in 1977 and lives in New York. This is her first novel.
Marisha Pessl's Special Topics in Calamity Physics is an unforgettable debut novel that combines the storytelling gifts of Donna Tartt and the suspense of Alfred Hitchcock: a darkly hilarious coming-of-age tale and a richly plotted suspense story, told with dazzling intelligence and wit.
'I wrote this account one year after I'd found Hannah Dead.
I thought I'd managed to erase all traces of that night within myself.
But I was wrong.
Every night when I tried to sleep, I'd close my eyes and see her again, exactly as I found her, hanging from a pine tree by an orange electrical cord, her neck twisted like a tulip stem, her eyes seeing nothing.
Or else that was the problem. They'd seen everything.'
Special Topics in Calamity Physics is a mesmerizing debut. As teenager Blue van Meer tells her story we are hurled into a dizzying world of murder and butterflies, womanizing and wandering, American McCulture, The Western Canon, political radicalism and juvenile crushisms. Structured around a syllabus for a Great Works of Literature class (with hand-drawn Visual Aids), Blue's wickedly funny yet poignant tale reveals how the imagination finds meaning in the most bewildering times, the ways people of all ages strive for connection, and how the darkest of secrets can set us free.
'Beneath the foam of this exuberant debut is a dark, strong drink' Jonathan Franzen, author of, The Corrections
'Any [Donna] Tartt fan disappointed that her second novel had little in common with her debut should rush out and buy this book immediately... It's a brilliant debut, guaranteed to join the ranks of The Secret History and The Virgin Suicides as one of those rare books to become a cult hit and instant classic' Sunday Telegraph
'One of the most impressive debut novels I have ever read ... It stops you doing anything apart from reading it ' Independent on Sunday
'Special Topics in Calamity Physics made me stay up all night reading; in the morning it seemed like one of those parties where everyone is too cool for you but you desperately want to know them anyway . . . I loved this book' Audrey Niffenegger, author of The Time Traveler's Wife
Marisha Pessl was born in 1977 and lives in New York. This is her first novel.
Rang parmi les ventes Amazon: #132271 dans eBooksPublié le: 2013-09-12Sorti le: 2013-09-12Format: Ebook KindlePrésentation de l'éditeurMarisha Pessl's Special Topics in Calamity Physics is an unforgettable debut novel that combines the storytelling gifts of Donna Tartt and the suspense of Alfred Hitchcock: a darkly hilarious coming-of-age tale and a richly plotted suspense story, told with dazzling intelligence and wit.'I wrote this account one year after I'd found Hannah Dead.I thought I'd managed to erase all traces of that night within myself.But I was wrong.Every night when I tried to sleep, I'd close my eyes and see her again, exactly as I found her, hanging from a pine tree by an orange electrical cord, her neck twisted like a tulip stem, her eyes seeing nothing. Or else that was the problem. They'd seen everything.'Special Topics in Calamity Physics is a mesmerizing debut. As teenager Blue van Meer tells her story we are hurled into a dizzying world of murder and butterflies, womanizing and wandering, American McCulture, The Western Canon, political radicalism and juvenile crushisms. Structured around a syllabus for a Great Works of Literature class (with hand-drawn Visual Aids), Blue's wickedly funny yet poignant tale reveals how the imagination finds meaning in the most bewildering times, the ways people of all ages strive for connection, and how the darkest of secrets can set us free.'Beneath the foam of this exuberant debut is a dark, strong drink' Jonathan Franzen, author of, The Corrections 'Any [Donna] Tartt fan disappointed that her second novel had little in common with her debut should rush out and buy this book immediately... It's a brilliant debut, guaranteed to join the ranks of The Secret History and The Virgin Suicides as one of those rare books to become a cult hit and instant classic' Sunday Telegraph 'One of the most impressive debut novels I have ever read ... It stops you doing anything apart from reading it ' Independent on Sunday 'Special Topics in Calamity Physics made me stay up all night reading; in the morning it seemed like one of those parties where everyone is too cool for you but you desperately want to know them anyway . . . I loved this book' Audrey Niffenegger, author of The Time Traveler's Wife Marisha Pessl was born in 1977 and lives in New York. This is her first novel.From Publishers WeeklyStarred Review. Pessl's showy (often too showy) debut novel, littered as it is with literary references and obscure citations, would seem to make an unlikely candidate for a successful audiobook. Yet actor and singer Emily Janice Card (a North Carolina native like the author) has a ball with Pessl's knotty, digressive prose, eating up Pessl's array of voices, impressions and asides like an ice-cream sundae. Card reads as if she is composing the book as she goes along, with a palpable sense of enjoyment present in almost every line reading. Her girlish voice, immature but knowing, is the perfect sound for Pessl's protagonist and narrator Blue van Meer, wise beyond her years even as she stumbles through a disastrous final year of high school. Card brings out the best in Pessl's novel and papers over its weak spots as ably as she can. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.From The Washington Post's Book World/washingtonpost.comA self-absorbed scholar and a young girl crisscross America by car, flitting through college towns where they endure ill-advised sexual encounters, heartache and a potent dose of popular culture. Studded with ingenious wordplay and recondite allusions, their story veers between highbrow comedy and lowbrow tragedy as it careens toward a couple of ambiguous murders and some crafty detective work.Ten points if you identified this as the plot of Vladimir Nabokov's Lolita. Extra credit if you also recognize it (minus the pedophilia) as the plot of a much-ballyhooed first novel by Marisha Pessl, who tackles the art of fiction by vigorously associating everything in her book with something else. Constructing the novel as if it were the core curriculum for a literature survey course, complete with a final exam, Pessl gives each chapter the title of a classic literary work to which the episode's events have a sly connection: Chapter 6, "Brave New World," describes the first day of a new school year, while in Chapter 11, "Moby-Dick," a large man drowns in a swimming pool.Along the way, there are thousands of references to books and movies both real and imagined, as well as an assortment of pen-and-ink drawings. The book's young narrator, Blue van Meer, has fiercely embraced her father's didactic advice: "Always have everything you say exquisitely annotated, and, where possible, provide staggering Visual Aids." Blue's cross-referencing mania can be surprisingly enjoyable, because Pessl is a vivacious writer who's figured out how to be brainy without being pedantic. Like her protagonist, she's eager to make good use of the many books she's read and the movies she's seen. And she loves similes like a fat kid loves cake (Blue would annotate this properly as a line borrowed from the rapper 50 Cent), never settling for one per page when three or eight will do. But hunkering down for 514 pages of frantic literary exhibitionism turns into a weary business for the reader, who after much patient effort deserves to feel something stronger than appreciation for a lot of clever name-dropping and a rush of metaphors.As a Harvard freshman recounting the events of the previous year, when her childhood "unstitched like a snagged sweater," Blue remembers being thoroughly in thrall to her father, a political science professor who changes jobs at third-tier colleges so frequently that by age 16 she's attended 24 different schools. To compensate for this rootlessness (her lepidopterist mom died in a car crash when Blue was 5), Dad has promised his daughter an undisturbed senior year in the North Carolina mountain town of Stockton, where Blue will attend the ultra-preppy St. Gallway School. It's at St. Gallway that Blue's dedication to her pompous, theory-spouting father begins to waver. Her attention is diverted by the school's most glamorous figures, a clique of five flighty kids called the Bluebloods who meet every Sunday night for dinner at the home of their mentor, Hannah Schneider, a charismatic film teacher.Blue is miraculously granted admission into this rarefied society, but the reader is not so lucky, having to settle for the novel's customary blizzard of comparisons instead of real characterization. Most enigmatic of all is Hannah, who's both a concerned mother hen and a shady blur of evasions and secrets, and who may or may not be having an affair with (a) one of her students; (b) Blue's father; (c) random elderly men whom she picks up at seedy diners. Blue makes it clear in the book's first chapter that later in the school year, Hannah will be found hanging by an electrical cord from a tree in the Great Smoky Mountains National Park, and the final third of the book charts Blue's efforts to prove that the teacher did not commit suicide, as the coroner concluded, but was murdered.Like Hannah, Pessl herself is something of an expert at evasion, nimbly avoiding scenes that might require emotional delineation, hiding behind this Nabokovian sentence structure or that Hitchcockian plot twist, always equipped to defend each dodge with the tacit reproach that, hey, it's only a high-school murder mystery, lighten up. Yet here and there the author betrays glimpses of sensitivity, in Blue's genuine expressions of grief for the early loss of her mother and in this moving evocation of loneliness, framed (of course) in a simile: "To the far-off tune of the blue Volvo driving away, it slipped over me, sadness, deadness, like a sheet over summer furniture." These briefly poignant moments are enough to make a reader wish for more, for a book that is less about other books and more about life. Having already aced the test of novel-writing as a literary trivia game, the real work for Pessl begins now, if she dares to stop making glib comparisons and starts to stare directly at things, as only she can describe them. Reviewed by Donna Rifkind Copyright 2006, The Washington Post. All Rights Reserved.Catégories : Subjects
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